On May 2, students at Wash. U. became acquainted with thefacebook.com, an Internet phenomenon that would waste away hours of needed study time for finals. Aside from searching the friends of your friends, the process of filling in those few provided lines about yourself proved to be especially time-consuming. Indicating those favorite books, movies, music and quotes somehow set you apart from everyone else or brought you closer to those surprising few with whom you shared a love of “House Party” or Journey’s greatest hits. In lieu of pop culture nostalgia, here are a few of the entertainment memories from the past four years to tuck away in your college time capsule, or perhaps to add to your facebook profile.
2003-2004
Most played song at every party: Outkast, “Hey Ya!” No matter where you turned, you heard this song. It was just as likely to be played at the Alpha Beta Gamma crush party as the art school wine and cheese soiree. Now that you’ve heard it roughly 200,000 times, perhaps you can answer that perplexing conundrum, “If what they say is, ‘Nothing is forever,’ then what makes love the exception?”
Breakout band of the year/indie gone mainstream: Maroon 5, The Postal Service. Every girl began the school year screaming and cheering to the beautiful hair and song stylings of Adam Levine (Maroon 5) as he claimed that his prior love had “taken its toll.” All the while, indie boys and girls across the country cheered for the emotional mumblings of Ben Gibbard (The Postal Service). But the second those Maroon 5 fans mentioned they could really get down to this emo-electronica, the esoteric indie patronage rejected its prior claim, and the record sales of “Give Up” made it to “such great heights.”
Weekly TV tune-in: And you thought reality television couldn’t get any worse: “Rich Girls,” “The Simple Life,” and “Newlyweds.” It won’t end until people stop watching it. Give it a try. We know you won’t. The year had its highlights, however, with the coming out of “Queer Eye for the Straight Guy,” which finally showed men the error of their fashion ways. “The Chapelle Show” reincarnated Rick James’ reputation, while “The OC” reinvoked the California bitchiness of “Beverly Hills: 90210.” And sadly, the world said goodbye to those New Yorkers who topped the ratings every week over the past decade: the four female friends of “Sex and the City” and the six friends of “Friends.” Your new antics will be missed, but your memory lives on in DVD format.
Movie recap: The world cried out of sadness or joy for the conclusion of The Lord of the Rings trilogy. Will Ferrell proved a stupid movie with a funny enough actor can make a hit in “Elf.” It’s difficult to think of any other actor making you roll on the floor with laughter with lines like, “I like to whisper, too,” and “Smiling’s my favorite.” Young girls pined after 40-something Johnny Depp as Captain Jack Sparrow. The pirate successfully reinstated the eye-liner look once thought to be left in the ’80s. Ellen DeGeneres drove people crazy with her “just keep swimming” mantra, and Mel Gibson (perhaps a product of viewing “Finding Nemo”) went crazy and made a movie in street Aramaic that sparked a whole bunch of crazy debates.
Most quotable movie: “Eternal Sunshine of the Spotless Mind.” Happily, a certain romantic comedy/psychological mind trip has been occupying moviegoers more than the usual poop-joke-laden college farces. “Eternal Sunshine” was simultaneously a great date movie, a point of philosophical discussion, and a chance for film nerds to cream over Charlie Kaufman and Michel Gondry’s unbeatable teamwork.
2002-2003
Most played song at every party: Nelly, “Hot in Herre.” It doesn’t help that we’re from the STL. Your parents knew this song before its run was over. Hell, your grandparents knew it. Honorable mentions-R.Kelly, “Ignition (Remix),” 50 Cent, “In da Club.”
Breakout band of the year/indie gone mainstream: Justin Timberlake, Coldplay. Justin Timberlake “justified” his solo music career after N’Sync went out of sync, and his fans responded with all the appreciative bumping and grinding their hips could provide. Across the Atlantic Ocean, Chris Martin dazzled the music nerds and the dude-bros alike with his melodic, pounding piano arrangements.
Weekly TV tune-in: In the great American addiction to pop culture, even more reality shows came to fruition. “Average Joe” stayed in the tradition of the ruthless dating show with its seductive but oh-so-average contestants. “American Idol” made Simon Cowell a household name, while demonstrating with each painful audition that singing alone in the shower is probably an activity you should not share with others.
Movie recap: A year of upsets and sequels. “X2,” the second Harry Potter, the second Lord of the Rings, the second episode of Star Wars, and “Final Destination 2.” Some were good, but most were bad. “Signs” and “The Ring” showed promise in scaring the bejesus out of you, but both ended up making you feel silly for handing over your suspension of disbelief so willingly.
Most quotable movie: “Old School.” “It tastes so good when it hits your lips!” “We’re going streaking!” “Blue, you’re my boy!” “I see Blue. He looks glooorious.” “All we are is dust in the wind…” Case closed. God bless Will Farrell.
2001-2002
Most played song at every party: Missy Elliott, “Get Ur Freak On.” That Eastern-flavored hook was everywhere. Even those of us still in high school, far away from the phenomenon of Winamp party mixes, felt the ubiquity of this club hit.
Breakout band of the year/indie gone mainstream: Norah Jones, Avril Levigne, John Mayer, The Strokes. Mothers wept at Norah’s beautiful insights on indecision. Young girls told off their boyfriends after Avril’s rant on men being “so complicated.” John Mayer angered nearly every male in the nation, while their girlfriends swooned and swayed to “Your Body is a Wonderland.” And all those seeking escape from the superficial romanticism of mainstream radio found refuge in The Strokes, who quickly also went mainstream. But for a band that great, their mainstream status didn’t even matter.
Weekly TV tune-in: “Survivor” opened the flood gates to reality television. The next to enter into such a prestigious realm: “The Bachelor.” Love it or hate it, you tuned in at least once to watch it. The year also saw the emergence of espionage with Jennifer Garner in “Alias” and bad boy turned good Kiefer Sutherland in “24.” Much like the Pringles of primetime television, once you pop open the world of Sydney Bristow or Jack Bauer, you can’t stop.
Movie recap: Elle Woods led Harvard Law School with her “bend and snap” maneuver and an abundance of pink accessories and school supplies. Those looking for a little less perk turned to the cynical ruminations of Enid and Seymour in “Ghost World.” Everyone fell in love with the musical “Moulin Rouge!” in all its pop song revival and Ewan McGregor glory. And anyone who bothered to watch “Donnie Darko” spent the rest of their summer trying to figure out just what exactly happened. At least the film managed to put Tears for Fears and Echo and the Bunnymen in the same soundtrack.
Most quotable movie: “Zoolander.” Based on hair color, flamboyance or scooter-possessing status, everyone proclaimed themselves as a Derek, Mugatu, or Hansel. Aside from promoting gasoline and break-dance fights, “Zoolander” influenced the thoughts and actions of viewers across the nation. Hansel admitted to liking Sting without being able to understand a word of “Desert Rose.” Mugatu made it acceptable to yell and scream at everyone, openly admitting bloating and flatulence, while still remaining at the top of the fashion world. And Derek made us all examine the question, “Have you ever wondered if there was more to life other than being really, really, ridiculously good looking?” To this day, you can’t pass by a Starbucks without thinking, “Orange mocha frappuccino!”
2000-2001
Most played song at every party: Outkast, “Ms. Jackson.” Not a party song in theory, but unique and quotable enough to make it the No. 1 item in your Kazaa Lite queue. (Unless, of course, you opted for the entire “Stankonia” album, which was a wise decision.) This song had everyone apologizing to their baby’s mama. Honorable mention-Sisqo, “Thong Song.”
Breakout band of the year/indie gone mainstream: Alicia Keys, Nelly Furtado, Michelle Branch. Alicia with her piano, Nelly with her bird similes, and Michelle with her badass guitar. Girls ruled, and boys drooled this year. Indie music took a break from introducing new bands, while older ones made better names for themselves. Case in point: Modest Mouse, “The Moon & Antarctica.” It was a boring year in music, but you can only truly appreciate the great after having suffered through the monotonous.
Weekly TV tune-in: “Survivor.” Richard was a jerk, but you would do the same with that much money dangling in front of you. Also making its television entrance this year was “Scrubs,” a sitcom so charming and hilarious that it could make you laugh without even needing the live studio audience as a cue.
Movie recap: “Coyote Ugly” somehow made it permissible for any girl (regardless of dancing ability or attractiveness) to stand on a table and dance her fanny off. “Road Trip” mixed the comedic genius and raunchiness of precursors “Animal House” and “Porky’s.” Greg Focker endured painfully embarrassing encounters and debates over the true meaning of “Puff the Magic Dragon” in “Meet the Parents.” Not even a bottle of Mum’s could help him through the debacle. Other films turned to music to help the characters through their troubles. William Miller spent his senior year of high school pining after the fascinating lives of Penny Lane and the “Golden God,” Russell, from Stillwater in “Almost Famous.” Rob Gordon and his sidekicks Barry and Dick spent the latter part of their young adulthood in the Vintage Vinyl-like Champion Records debating the top five lists of any musical category possible.
Most quotable movie: “Office Space.” Yeah, yeah, so it came out in ’99. I dare you to find a movie more beloved by college students. (Oh, wait, “Fight Club” came out in ’99 as well. Tarnation.) Still, “Office Space” taught us the importance of flair, Lumbergh’s monotonous “Um, yeah,” Samir’s broken cursing, Michael Bolton’s obsession with hardcore gangsta rap, and Milton’s fixation with staplers. And don’t forget Lawrence’s dream to do two chicks at the same time once he has a million dollars. Oh, “Office Space,” the lessons you taught us, the values you inculcated in us!