black anthology

Staff Editorial: Affinity group appreciation should not only be annual

As WashU students, we have the opportunity to interact with a variety of people from different backgrounds. We simply need to seek opportunities to learn about them in clubs, campus seminars, DEI programming, and classes, to name a few.

‘Echoes of Her’: 2025 Black Anthology’s impact reaches beyond the stage

The 2025 Black Anthology (BA) show, titled “Echoes of Her,” runs from Friday, Feb. 7 through  Feb. 8 in the Edison Theatre. The details of the show are kept secret until the opening performance, but will live long after the curtains have closed. 

“The stories that we’re portraying — they don’t end on the stage,” junior Avery Melton-Meaux, this year’s BA director, said. “They might [end] for the actors, but they’re very much living, breathing things and experiences that people have in real life.”

| Managing Scene Editor

Grounded in history: The origins of Black Anthology

Although WashU has numerous traditions on campus, the most widely known and attended are the various cultural shows put on each year. While other campus traditions foster community within their organizations, something about the cultural shows instills a sense of pride in the identity of their members. 

For many Black students, that is Black Anthology.

| Contributing Writer

Letter to the Editor: There is no room for anti-Blackness in arts and entertainment journalism

Having trained arts reporters who understand how to navigate writing reviews of culturally significant projects and events on campus is important.

| Former Cadenza and Social Media Editor, Class of 2022

Black Anthology: The good, the bad, and the unfortunate

Together, we would soon be enthralled in a tale that pondered what it meant to trade the youthful exuberance of the promising ingénue for the stress, upsets, and nuisance of a hostile work environment. In short, we would learn what it meant to be “pressed.”

| Contributing Writer

Editor’s Note Episode 17: Black Anthology

This year, the Edison Theater was empty on the weekend of Washington University’s annual Black Anthology production, and audiences all over the world watched BA from their laptops.

| Staff Writer

Black Anthology embraces identity and community in the virtual age

The performance, “Essential(s),” truly embraced the gifts of the digital age and brought me fully into the story and performances of the evening. 

| Staff Writer

Black Anthology, first student-run cultural show to return to Edison, navigates pandemic restrictions to produce 32nd show

The production is “a cultural show that allows for a spotlight to be presented on issues that are of importance to Black students, using mediums of acting and dance to convey those themes,” show producer senior Sophia Kamanzi explained.

| Contributing Writer

Black Anthology’s ‘Masquerade’ shows what’s behind the mask

This year’s Black Anthology, “Masquerade,” combined masterful writing, electric performances and enthusiastic dances to create a show that was as entertaining as it was thought-provoking.

Aruni Soni | Contributing Writer

‘Masquerade’ and mental health: BA’s 31st show

After celebrating their 30th show last year, Black Anthology will return this weekend, bringing “Masquerade” to the Edison Theatre.

| Senior Cadenza Editor

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