On the surface, it’s incredibly annoying. Even if it stems from a deep insecurity about intelligence or some manifestation of imposter syndrome, it’s hard to see anything other than someone bragging about their not-really-accomplishments. But I want to propose a flipside.

“MAYHEM,” although uneven in quality, sees the return of Gaga’s signature sound and contains some of her best work in over a decade. The glorious and should-have-been-lead-single “Abracadabra” is a genuine return to original form, with a melodic, thumping, and ecstatic headbanger aesthetic reminiscent of “Judas” or “Bad Romance.”

On my first listen of Tate McRae’s new album, “So Close To What,” a seemingly very important question formed in my mind: Why is Tate McRae famous?

In the last few seconds of the music video for “Perfect Stranger,” released last October by FKA twigs, three sentences flash on the screen. They read: “Eusexua is a practice. […]

The Academy’s mission statement states that their goal is to “recognize excellence in the recording arts and sciences,” yet they don’t define what “excellence” is. Is it commercial success or critical acclaim?

TikTok dancer Addison Rae? Former member of the short-lived Hype House Addison Rae? Failed actress Addison Rae?  Yes, yes, and yes — it’s that Addison Rae. She’s here for pop domination.