Bon Iver, a band led by multitalented artist Justin Vernon, released their fifth album “SABLE, fABLE” on Friday, April 11. In an interview with WYEP-FM, Vernon explained that although the record is segmented into the first three songs, “SABLE,” and the following nine tracks, “fABLE,” the two sections combine together to construct the complete record.

In her latest release, “eternal sunshine deluxe: brighter days ahead,” Ariana Grande reaffirms her place as one of pop music’s defining voices. This deluxe edition of Grande’s album “eternal sunshine,” which was released in March 2024, feels not only like the culmination of her previous albums, but also like a love letter to each era of her artistic and personal evolution.

“MAYHEM,” although uneven in quality, sees the return of Gaga’s signature sound and contains some of her best work in over a decade. The glorious and should-have-been-lead-single “Abracadabra” is a genuine return to original form, with a melodic, thumping, and ecstatic headbanger aesthetic reminiscent of “Judas” or “Bad Romance.”

Performed and recorded at the famous Blue Note Jazz Club in New York City — which has featured greats such as Cannonball Adderley, Donald Byrd, and Geri Allen — “In the Blue Light” is an assortment of 12 reimagined tracks from her current discography. The album does a beautiful job of not only establishing Kelela’s versatility as an artist, but also her undeniable prowess as both a vocalist and lyricist.

On my first listen of Tate McRae’s new album, “So Close To What,” a seemingly very important question formed in my mind: Why is Tate McRae famous?

On her new EP, “Perverts,” artist Ethel Cain leaves behind the cannibalized character from her debut album and ventures into themes of eroticism and pleasure with a new, darker sound. 

There’s always been a nostalgic quality to Vampire Weekend’s music. The indie-pop act, formed nearly 20 years ago by four Columbia University students in New York City, has never ceased to find a way to craft songs that make you feel as if you’ve already heard them before.  Yet, with “Only God Was Above Us” […]

While I agree with some of Pitchfork’s picks, I feel like some big hitters were overlooked. Plus, I like making lists.

On May 20, Harry Styles released “Harry’s House,” the artist’s third studio album. “Harry’s House” follows the artist’s previous successes and is a vibrant, cohesive addition to his repertoire.

On March 25, Wallows released “Tell Me That It’s Over,” their much-anticipated sophomore record. In the album, the indie-alt band touches on ideas of uncertainty, trust, evocation and responsibility in […]