There’s always been a nostalgic quality to Vampire Weekend’s music. The indie-pop act, formed nearly 20 years ago by four Columbia University students in New York City, has never ceased to find a way to craft songs that make you feel as if you’ve already heard them before.  Yet, with “Only God Was Above Us” […]

While I agree with some of Pitchfork’s picks, I feel like some big hitters were overlooked. Plus, I like making lists.

On May 20, Harry Styles released “Harry’s House,” the artist’s third studio album. “Harry’s House” follows the artist’s previous successes and is a vibrant, cohesive addition to his repertoire.

On March 25, Wallows released “Tell Me That It’s Over,” their much-anticipated sophomore record. In the album, the indie-alt band touches on ideas of uncertainty, trust, evocation and responsibility in […]

Father John Misty, who I discovered last month, has quickly ascended my pantheon of most-listened artists and claimed the title of “folk rock icon” in my mind. I started listening […]

A departure from her usual sound, Mitski’s “Laurel Hell” is still engrossingly emotional.

The new album shows a new side to Adele while proving she is still the queen of the power ballad.

Lil Nas X is here with deeper, more hard-hitting material, but he still wants fans to be able to dance it out to his songs.

John Mayer’s eighth album offers up a beautiful trip back to the 1980s; yet his latest release’s legacy is up to interpretation.

“Donda” is much like Kanye West himself: both the album and the artist can be easy to hate. From the year-long delay since the announced release date to the controversy surrounding West before the album’s release, doubts over “Donda” are understandable. Is it worth holding out hope for an album promised on six different missed […]