The Stills’ third album would like to be everything at once. They’ve already covered many bases with their past two efforts, including a dark, post-punk album, “Logic Will Break Your Heart” in 2003, and a more mellow, earthy “Without Feathers” in 2006, so “Oceans Will Rise” is an apt addition. It includes throwbacks to previous efforts while continuing to experiment, adding pop rock, metal and ballads to the mix.

Looking for another hit, the Montreal band comes close with the inspired song “Being Here.” It has a catchy chorus, elegant use of guitar, melodic keyboard and compelling vocals from singer Tim Fletcher. It is the most likely to find its way on to a radio station near you. Another notable song is “I’m With You.” Its earnestly delivered lyrics and heartfelt drifting tune is simple and pure.

The Stills’ attempt to find their next hit has come at the price of sounding confused. The songs, individually unique and exciting, do not flow in any manner. “Snakecharming the Masses” has the most interesting rhythm but is repetitive and lacks a hook. It is an abrupt change from the songs surrounding it which have a faster pace and a pop rock sound. The Stills would like to be considered tough. However, their choice of delightful and moving guitar and drums stand in their way. Especially in the song “Snow in California” which serves as a warning of global warming, a theme of the album made obvious by its title. But it makes disaster out to be a joyous and welcome occasion.

If the Stills were to pick one sound to focus on in this album, instead of their dozen, they would be best served to focus on their ballads. Tim Fletcher, and the group’s other vocalist David Hamelin, stand out in tunes such as “Everything I Build,” and “Statues of Sirens.” Each song’s simplicity is beautiful and emotive and doesn’t feel forced like others.

Though confused in sound, The Stills’ third album is an easy and enjoyable listen. It should be acknowledged that the group has had setbacks, including losing and gaining a member after their first album. A gorgeous try, this Montreal band is still striving to separate itself from all the other mediocre indie bands.