When Netflix dropped the trailer for the movie “Tall Girl,” my Facebook notifications jumped, with more than a dozen of my friends alerting me that a movie “for me!” was finally being released.

“Imposters” is not great by any means, but it’s definitely more fun and lighthearted than most of the other crazy-heavy Netflix mystery/crime series. It’s a fun watch if you’re looking for mediocre TV.

Brian Regan will soon be coming to St. Louis for a stop on his national theater tour. He is widely recognized as a comedian with unprecedented mass appeal, not only for his accessible brand of observational humor, nuanced by hilarious physicality and expressiveness in his stand-up routines, but for the fact that his enormous arsenal of jokes is entirely “clean,” and has been practically from the start.

The coolest thing about “Obvious Child” is its grounded authenticity. This is the story of a crisis—one that is life-changing, but not life-ending.

There will, presumably, come a time when Netflix stops shelling out hordes of money for the dumbest pieces of filmmaking imaginable. Unfortunately for us, 2019 is not that time.

On top of the obvious sexual overtones, undertones, middle-tones and regular tones, “Sex Education” deals with complicated home situations, homophobic rhetoric and situations and personal discovery while poking fun at the sex lives of teenagers.

Buckle up, folks, because today’s deep-cut is a Netflix original thriller called “Velvet Buzzsaw.”

Instead of writing 30 articles about things that have already passed, here are a select few of my hot takes in rapid-fire, lightning-round style.

After the success of last year’s “The Christmas Prince,” Netflix has hopped on the Hallmark Channel train of producing cheesy but heartwarming original Christmas films, releasing four new films in the last month.

October is the month when goblins and ghouls crawl out of the woodwork, because it’s the month that signifies one thing and one thing only: Halloween.