Netflix’s strategy of promotion and release all in a few hours is a stark difference from the industry standard.
“Okja,” “Meyerowitz Stories,” and “Mudbound” may not be “The Last Jedi” or “Lady Bird,” but boy are they accessible gems courtesy of Netflix.
Whenever I needed a little comfort in my life, I knew that HIMYM would be there for me.
I always circle back to watch my dear old friend: “30 Rock.” Now it’s days on Netflix are numbered.
Pablo Escobar, as played by Wagner Moura in Netflix’s “Narcos,” was killed by the Drug Enforcement Administration in the finale of the show’s second season. Yet, Netflix went and re-upped “Narcos” for two more seasons, leaving everyone to wonder: What does a show based around the life of Pablo Escobar become with a dead Pablo Escobar?
When Netflix released “Abstract: The Art of Design” with the first episode dedicated to Niemann’s illustration, I was hooked. The show, which profiles designers of all fields—from illustration to shoes, theater sets to photography—combines stunning cinematography with shockingly genuine stories.
“The Get Down” returned on April 7 and delved further into the depths of hip-hop’s origins in the Bronx.
Netflix’s newest miniseries “Thirteen Reason’s Why,” based on the novel by Jay Asher, shattered expectations. Following the book’s premise, Hannah Baker records thirteen cassette tapes explaining what drove her to suicide and sends them to each person incorporated in her reasoning.
Are we reaching a boiling point in which the television market is saturated?
More so today than ever before, media companies outside the bounds of cable TV are stepping up their game and producing widely popular, intriguing, critically acclaimed content.