Whenever I needed a little comfort in my life, I knew that HIMYM would be there for me.
I always circle back to watch my dear old friend: “30 Rock.” Now it’s days on Netflix are numbered.
Pablo Escobar, as played by Wagner Moura in Netflix’s “Narcos,” was killed by the Drug Enforcement Administration in the finale of the show’s second season. Yet, Netflix went and re-upped “Narcos” for two more seasons, leaving everyone to wonder: What does a show based around the life of Pablo Escobar become with a dead Pablo Escobar?
When Netflix released “Abstract: The Art of Design” with the first episode dedicated to Niemann’s illustration, I was hooked. The show, which profiles designers of all fields—from illustration to shoes, theater sets to photography—combines stunning cinematography with shockingly genuine stories.
“The Get Down” returned on April 7 and delved further into the depths of hip-hop’s origins in the Bronx.
Netflix’s newest miniseries “Thirteen Reason’s Why,” based on the novel by Jay Asher, shattered expectations. Following the book’s premise, Hannah Baker records thirteen cassette tapes explaining what drove her to suicide and sends them to each person incorporated in her reasoning.
Are we reaching a boiling point in which the television market is saturated?
More so today than ever before, media companies outside the bounds of cable TV are stepping up their game and producing widely popular, intriguing, critically acclaimed content.
If a television show is aware of its pretension, does that make it less pretentious? Unfortunately, in the case of the new Netflix original series “Flaked,” its self-awareness only makes it more frustrating.
There are far too many misconceptions as to how Netflix and chill is supposed to work. Lonely students up too late and at the end of their Kleenex supply simply assume that a text and a short walk later, they’ll be getting lucky. Not so.