The end of an era: Saying goodbye to ‘30 Rock’

I always circle back to watch my dear old friend: “30 Rock.” Now it’s days on Netflix are numbered.

| Senior Editor

What to watch: Shows to look out for this fall

Video may have killed the radio star, but streaming hasn’t killed TV—at least not yet. As September rolls to a close, here’s a quick rundown of some of the best new shows coming to television, encompassing a wide range of genres.

| Editor-in-Chief

What you missed at the Emmys: A look at the biggest winners

If you missed Sunday’s Emmy awards, here’s the quick lowdown.

| Staff Writer

‘BoJack Horseman’ questions darkness of humanity, finds few answers

After over a year of waiting, the fourth season of “BoJack Horseman” was released on Netflix on Sept. 8, and it would be an understatement to say that I was incredibly excited for it.

| Staff Writer

What’s true about the new depiction of the Lake of the Ozarks on ‘Ozark’

This summer, the Lake of Ozarks got its big break when “Ozark” debuted on Netflix.

Kelly Wiesehan | Contributing Writer

Watch whiteness work in HBO’s new drama ‘Big Little Lies’

Based on a novel by Liane Moriarty, “Big Little Lies” centers around the lives of three mothers from the wealthy town of Monterey, Calif., whose common denominator is that their children are all attending first grade together.

| Film Editor

Who asked for a TV show about the 2016 elections? And other concerns

Last month, Ryan Murphy announced that the upcoming season of the television anthology “American Horror Story” will be election-themed. That is, this time around the horror will be about the 2016 United States presidential election. The news came less than a month after Donald Trump took office.

| Film Editor

Comedies to procrastinate with instead of studying for midterms

There’s no better way to procrastinate than by starting your latest Netflix binge—especially if your new go-to show is a comedy. Here’s a list of five must-sees to chase away academic woes:

| Staff Writer

TV character sexuality as an identity, not a plot device

In the wake of Mac’s (second) coming out on the new season of FXX’s “It’s Always Sunny in Philadelphia,” I began to wonder about how the representation of sexuality in entertainment has changed over the 12 seasons of the show. Looking over the lineups of shows currently airing, it seems that the television industry is finally starting—emphasis on starting—to understand intersectionality.

| Senior Cadenza Editor

Welcome to the age of peak TV: Is there any room left for quality shows?

Are we reaching a boiling point in which the television market is saturated?

| Film Editor