If you missed Sunday’s Emmy awards, here’s the quick lowdown.
After over a year of waiting, the fourth season of “BoJack Horseman” was released on Netflix on Sept. 8, and it would be an understatement to say that I was incredibly excited for it.
This summer, the Lake of Ozarks got its big break when “Ozark” debuted on Netflix.
Based on a novel by Liane Moriarty, “Big Little Lies” centers around the lives of three mothers from the wealthy town of Monterey, Calif., whose common denominator is that their children are all attending first grade together.
Last month, Ryan Murphy announced that the upcoming season of the television anthology “American Horror Story” will be election-themed. That is, this time around the horror will be about the 2016 United States presidential election. The news came less than a month after Donald Trump took office.
There’s no better way to procrastinate than by starting your latest Netflix binge—especially if your new go-to show is a comedy. Here’s a list of five must-sees to chase away academic woes:
In the wake of Mac’s (second) coming out on the new season of FXX’s “It’s Always Sunny in Philadelphia,” I began to wonder about how the representation of sexuality in entertainment has changed over the 12 seasons of the show. Looking over the lineups of shows currently airing, it seems that the television industry is finally starting—emphasis on starting—to understand intersectionality.
Are we reaching a boiling point in which the television market is saturated?
The internet works in cruel ways, such as the one time it forced me to obsess over a Scandinavian teen drama on the eve of finals week.
The past year is no exception to this trend, but the 2016 presidential election has taken this generality to the extreme. The emergence of presidential political entertainment has been swift and resoundingly popular, springing programs like TBS’s “Full Frontal with Samantha Bee” and HBO’s “Last Week Tonight with John Oliver” into ratings success.