Netflix’s strategy of promotion and release all in a few hours is a stark difference from the industry standard.
Director David Lowery’s film is breathtakingly original, philosophically insightful and both infinitesimal and infinite. It shook me deeply.
Nobody asked for another Jumanji movie. Yet, somehow, it was good? Journey into the Kevin Heart of Darkness.
“Okja,” “Meyerowitz Stories,” and “Mudbound” may not be “The Last Jedi” or “Lady Bird,” but boy are they accessible gems courtesy of Netflix.
Each line of dialogue and shot are both impactful and brilliantly crafted. The film will stay with you long after the credits roll.
For a number of student journalists across the country, these words opened the chance to ask anything of one of the most up-and-coming directors of 2017, Greta Gerwig. Gerwig, writer and director of “Lady Bird,” answered questions about her directorial debut, her inspiration and her process during a student conference call Thursday, Nov. 30.
“Coco,” “Wonder” and “Bad Moms Christmas” headline a collection of Thanksgiving movies to attend while you’re home.
Chris Bernardi is sets supervisor for “Coco” and has worked on Pixar classics such as “Finding Nemo,” “WALL-E” and “Inside Out.” 30 years ago, he was taking biology classes at Wash. U.
“Waking the Sleeping Giant: The Making of a Political Revolution,” which premiered at the St. Louis International Film Fest Nov. 11, explores the 2016 election through a structure that elevates the voice of underrepresented Americans—the not-so-silent majority whose anger and passion both fueled and doomed Bernie Sanders’ grassroots campaign.
What do you do when you’re handed 25 more years of extra time? How do you plan for something you never expected to live to experience?