Movie Review
“Catfish”
This engrossing, do-it-yourself doc follows New York photographer Nev Shulman, a charismatic 20-something whose life changes when he receives a package from 8-year-old painting prodigy, Abby. Newcomers Ariel Shulman (Nev’s brother) and Henry Joost serve as the project’s directors.
“Catfish” has been making waves since it debuted in this year’s Sundance Film Festival, where it was lauded by audiences and critics alike. It was produced by the team behind the controversial documentary “Capturing the Friedmans,” which was nominated for an Academy Award in 2003.
Since the festival, the film has inked deals with both Rogue Pictures (part of Relativity Media) and Paramount. The marketing borrows a tactic popularized by 2009’s mega-success “Paranormal Activity,” the campaign to “request the movie in your area.”
“Catfish” is a film that depends on the audience buying into the mystery and hype; its trailer is ambiguous and its tagline warns, “Don’t let anyone tell you what it is.” If you want the full experience, avoid spoilerific movie reviews and YouTube comments. If you’ve already been “Catfished,” don’t give away the plot.
As far as the film’s “documentary” pedigree, I’m doubtful—and I’m not alone (Morgan Spurlock of “Super Size Me” reportedly called the film a fake documentary). Filmmakers Joost and Shulman have strenuously objected to criticism of the film being faked or staged. Whether “Catfish” is a true doc or cinema verite, it’s powerful and a must-see. The story is human, clever and poignant. By all means, dive right in!