Pete Davidson pushed boundaries of political correctness (cringes were audible at times), kept a laid-back structure (I don’t think he ever really knew what he was going to say before he said it) and messed with the audience members in a fun back-and-forth style Q&A.
Starting this year, the Performing Arts Department’s shows are free for all full-time Washington University students. College of Arts and Sciences Dean Barbara Schaal led this initiative to make the performing arts more accessible for students.
Sometimes you need a little more than a house party to fulfill your weekend needs. Variety is the spice of life, folks.
Bo Burnham’s “Eighth Grade” recharges the coming-of-age narrative, successfully tackling young adolescence in the age of social media (read: not a small feat).
Two police officers—one Clayton officer and one Richmond Heights officer—stopped a group of 10 black Washington University incoming freshmen returning to campus from dinner after suspecting them of leaving IHOP without paying earlier this month.
Students plan to demand changes to the Title IX process in the Title Mine rally April 26 at 4 p.m. in Edison Courtyard.
Student Union is providing materials for poster-making for the Title Mine rally, SU announced in a social media post Sunday afternoon.
We all know at least one SoundCloud rapper from high school. You know who I’m talking about—that one kid with trash beats and even worse vocals who thinks he’s going to make it in the industry with 20 followers on SoundCloud. Unlike them, Evan Hughes is the real deal.
Washington University students will host a rally to express discontent with current Title IX reporting processes and University responses to sexual assault and harassment on campus. The rally will take place April 26 at 4 p.m.
Eugene Inesco—prompted by his frustration with learning the English language—wrote “The Bald Soprano,” a piece of absurdist theater characterized by its use of ineffective communication and non sequiturs. Thyrsus, Washington University’s theater group specializing in experimental and non-traditional theater, is taking on this absurdist piece for its spring show.