Writing a column a handful of times over the course of one semester really doesn’t give anyone the right to call herself a columnist, let alone allow that person to write a farewell column to her non-existent readership.
The Performing Arts Department began its 2006-2007 season with a “trip” back to the year 1968, transforming the Edison stage into the streets of New York, complete with sit-ins, be-ins, free love and Vietnam protests.
Since Oct. 14, 2005, the Pulitzer Foundation for the Arts has housed “Minimalism and Beyond,” an exhibit designed to showcase multiple generations of minimalist artists.
If there’s one word to describe the Pulitzer Foundation for the Arts, it is this: surprising.
This weekend, the Performing Arts Department will present its biennial Young Choreographers Showcase (YCS), which will feature nine original works by student choreographers.
At long last, I have decided to bare my soul to the public arena and make a confession that I have been denying for years: I love People magazine.
This weekend, though, the Performing Arts Department will pay homage to the creator of the something-out-of-nothing genre with their spring mainstage production of Shakespeare’s “Much Ado About Nothing.”
The premise of this documentary is simple: one guy has 30 days and $1,100 to get one date with Drew Barrymore.
Not since the days of “Oedipus Rex” has one play seen so much familial longing, but the similarities between Sophocles’ masterpiece, Henry V and Wendy MacLeod’s dark comedy, “The House of Yes,” probably stop right there.
Following in the footsteps of University heroes such as “Cara from the Real World,” a second Wash. U. alum has chosen to seek fame and fortune through the fantastic medium of MTV reality television.
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