I always hate these final, farewell articles, but now that it’s my turn, I don’t really care.
Rounding out my dorkiness hat trick (actually, I guess this is at least number four in my dorky series), I feel I should talk about video games.
Mutemath seems to be a promising if underwhelming band.
“Kingdom Hearts” was an amazing game.
For a comedy about a smoking lobbyist, “Thank You For Smoking” is surprisingly non-preachy.
With “V for Vendetta,” we are practically in a renaissance for comic-book-derived films. Superheroes are more than flash and spandex; they are larger than life characters.
Unfortunately, audiences of “Witness for the Prosecution” are not treated to Agatha Christie’s finest work.
These are the final days of Uriel Septim, Emperor of Tamriel, in the year of Akatosh 433.and if you are still reading, then “Elder Scrolls IV: Oblivion” might be a game for you.
“Inside Man” is not a typical heist movie. Like most, it is a how-done-it, since early on we learn the who, the what and the why. The more important thing is how the criminals will get away with it, because it is essentially guaranteed that they will.
Sound engineers have become so attuned to washed-out, toneless pitch correcting that they now actually think that that is what voices should sound like. The Veronicas are a prime example of this computational perversion.
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